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We Sing and We’re Proud!
It’s time to check your choral inferiority complex at the door and assert choral music’s rightful place.
by Knight Kiplinger, Editor in Chief of The Kiplinger Letter
If you're like many choral artists and administrators, you might have a little inferiority complex about your artistic medium. You might wish that your chorus enjoyed the same media attention – and donor support – that is lavished on your more glamorous rivals – the local symphony orchestra, opera, or ballet company.My message for you today: Get over it...and fight back. It's time to assert choral music's rightful place as the noblest – and socially most important – of all the performing arts. How is choral music the superior performing art? Let me count the ways.
1. The voice was the first musical instrument, before humans began beating on drums, blowing into gourds, and plucking gut strings.
2. Choral music is a universal art form – a distinction it shares with dance. The massing of voices, whether in spoken chants or sounds with musical pitch, is practiced by virtually every society on earth.
3. Of all the musical arts, choral singing is the most democratic, because the voice is the one instrument everyone owns...the one instrument you don't need money to buy.
4. Choral music is how people express their most powerful and deeply felt emotions.
5. Choral singing is the sound of celebration. In the joyous concert at the demolished Berlin Wall, after the fall of East German communism 15 years ago, what was the featured masterpiece? A choral work, of course – Beethoven's Ninth Symphony.
6. Throughout history, choral music has exhorted people to social action and human liberation: The great Negro Spirituals of the early 19th century. The powerful hymn of the Civil Rights movement, We Shall Overcome. The raucous union organizing songs of the 1930s.
7. Choral music is how people express their patriotism, from the Marseillaise of the French Revolution to the Battle Hymn of the Republic in the American Civil War.
8. Throughout history, group singing helped laborers build camaraderie and endure the hardship of grueling work: The sea chanties of sailors, the rhythmic songs of railroad crews and prisoners on a chain gang.
9. Choral music is how people soothe their grief at the passing of loved ones, with familiar hymns shared at funerals.
10. Choral music is how people give voice to their spirituality. For the serious choral singer, performing the great sacred works can be a personal religious experience like no other.
11. Is there any other musical composition, in any medium, more sublime than the Bach Mass in B-Minor? More dramatic than the Verdi Requiem? More triumphant than Messiah? I know of none.
Now, I like orchestras as much as the next guy, and many of the greatest choral works – from the Monteverdi Vespers to Orff's Carmina Burana – were made richer by instrumentation. But great choral music doesn't require an orchestra. Indeed, some of the most sublime choral works of the 20th century are a cappella works, such as Maurice Durufle's Ubi Caritas and Franz Biebl's Ave Maria.
In a time when society is becoming more fragmented, when individuals are feeling more isolated and alienated, choral music brings people together. It is the music of social cohesion, the music that builds community. It brings together people of different ages, races, and socioeconomic backgrounds, united in a love of great music.
How do summer camps bring the shy campers into the fold? With group sings, at meals and around the camp fire – everything from nonsense songs to the ubiquitous Kumbaya. How do colleges make their returning alums feel at home? With glee club concerts of the old school songs. In the hit French movie of last year, Les Choristes, what was it that tamed those incorrigible delinquents at that vile reform school? Well, it wasn't ballet lessons. It was teaching them the joy and discipline of choral singing.
Choral music is the music of jubilation, of grief, of toil, of worship. It is the music of protest and patriotism, the music of religious passion. It is the only kind of music that connects people in the most profound ways. This is the social capital possessed by choral music, and no other performing art can match it.
So check your inferiority complex at the door. It's time to develop in ourselves, and communicate to others – the public, the press, your funders – a well-deserved superiority complex. Express your Choral Pride: Say it Loud: "We Sing and We're Proud!”
Author Credit
Knight Kiplinger has sung with The Washington Chorus for more than 30 years, also serving as a trustee and board chair. Professionally, he is editor in chief of The Kiplinger Letter and Kiplinger's Personal Finance magazine. This editorial is adapted for the Voice from an address he delivered at the 29th Annual Chorus America Conference in Washington DC on June 8, 2006.
© 2006 Chorus America. This article is reprinted from the Voice of Chorus America, Fall 2006. Past issues of the Voice can be ordered from Chorus America; click here to go to the Publications page of our website.
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